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Video is where uploading hurts most: a 50 MB clip spends minutes travelling in each direction before anything happens to it. Here it does not travel at all — your browser does the work, there is no queue, and nothing is watermarked at the end of it. The free tier takes files up to 100 MB, which for 1080p is a few minutes of footage.
Up to 100 files at once. Mixed formats are fine.
They convert one after another and download together as a ZIP.
11 formats in this category, 95 working conversions — 95 of them without your file leaving the device.
The video format that plays everywhere. If in doubt, this is the answer.
The Apple video container. What iPhones and most editing software produce.
An open container that holds anything — several audio tracks, subtitles, chapters. Weak on hardware players.
The royalty-free web video format. Small files, plays in browsers, ignored by most TVs.
Apple's MP4 variant. Identical in practice unless the file carries copy protection.
Somebody with a clip that is right in the middle and wrong at both ends — a screen recording that started too early, a phone video with thirty seconds of pocket at the end.
Somebody who wants the sound and not the picture — a lecture recording to listen to on a walk, an interview to transcribe, a piece of music from a video somebody sent.
Somebody holding a video that plays on its side — filmed in portrait and opened on a computer, or shot with the phone turned the way the phone did not expect.
Somebody who wants a short loop for a chat, an issue tracker or a document — somewhere that will not take a video file but will happily show an animated image.
Somebody whose video is 4K and does not need to be — an upload limit that rejects it, a website that will only shrink it again, a phone that struggles to play it.
Somebody who wants the speed change saved into the file rather than chosen in a player — a timelapse from a long recording, a slowed clip to see what happened, a lecture to hand on at 1.5x.
Somebody who needs one picture out of a video — a thumbnail for an upload, a still for a document, the one frame where the thing they are describing is actually visible.
Video converter
An MP4 and an MKV holding the same H.264 video are two boxes around identical contents, and rewriting the box alone — remuxing — would touch no pixel at all. That is not what happens here. Every video conversion on this site asks for a bitrate, and asking for a bitrate puts the picture through a decoder and an encoder, so even MP4 to MKV costs time and one generation of quality.
Changing the codec as well — MP4 to WebM — is the slower of the two, because VP9 and AV1 encode considerably more slowly than H.264 rather than because the other route skips the encoder. Neither is instant, however similar the two containers look from outside.
Taking the soundtrack from a video is the most common thing people want from this category. The conversion pages re-encode it at the quality band you choose; the extract-audio tool is the one route that does not, because choosing M4A there copies an AAC track straight out of the video without a decoder seeing it.
One caveat worth stating: what your browser can encode depends on your browser. We check what yours actually supports before offering a target, rather than listing everything and failing halfway through. If a chip is missing on your machine, that is why.
Yes: 100 MB a file on the free tier, and a hundred files in one batch. Video reaches that faster than anything else here — a few minutes of 1080p from a phone — and a file over it is shown in the list and not converted. Below the cap the constraint is your own memory, which a phone hits before a laptop.
No. It never leaves your device, which for video is also why it is fast — there is no round trip. Disconnect from the internet after the page has loaded and it still works.
A little, on every pair. The picture is decoded and encoded again whatever the two containers have in common, so each conversion costs one generation — there is no route through these pages that copies the frames across untouched. The quality band you choose decides how much that generation costs.
Because your browser cannot encode it. We probe what is actually available before showing a target rather than offering everything and failing partway through. A different browser may show more.